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Six Songs, Op. 10
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Six Songs, Op. 10
2 Euphoniums et 2 Tubas
Tuba quartet (EETT) - Digital Download SKU: CX.CM2306 Composed by Adolf Reichel. Ar…
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Tuba quartet (EETT) - Digital Download SKU: CX.CM2306 Composed by Adolf Reichel. Arranged by Chris Dickey. 22 pages. Published by Cimarron Music Press - Digital (CX.CM2306). 1. Night Song 2. Iranian Song 3. The Love Flight 4. Ballade 5. German Song 6. Table Song and Fish Song.
$20.00
18.41 €
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2 Euphoniums et 2 Tubas
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Adolf Reichel
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Chris Dickey
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Six Songs, Op. 10
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Cimarron Music Press - Digital
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SheetMusicPlus
Six Songs
Quatuor à cordes: 2 violons, alto, violoncelle
Soprano voice and string quartet - difficult - Digital Download SKU: S9.Q3058 By…
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Soprano voice and string quartet - difficult - Digital Download SKU: S9.Q3058 By Robert Schumann, op. 107. Composed by Aribert Reimann and Robert Schumann. Arranged by Aribert Reimann. This edition: score and parts. Downloadable, Score and parts. Duration 10 minutes. Schott Music - Digital #Q3058. Published by Schott Music - Digital (S9.Q3058). In these lieder, Robert Schumann seems to mirror his life full of crises. The composition coincides with the first signs of his illness. The picture of the drowning Ophelia evoked in the first chant conjures up the image of his suicide attempt three years later. Aribert Reimann’s transcription seems to be opposed to Schumann’s endeavours to make stronger use of ‘the development of the accompanying instrument, the piano’. On the other hand, the complete integration of the vocal part in the musical setting of the string quartet confirms Schumann’s assessment that the singing voice alone cannot ‘express everything; apart from the expression of the whole, even subtle nuances of the poem shall become apparent’. These transcriptions show Reimann’s sense of timbre and his many years of experience as a lied accompanist.
$40.99
37.72 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert Schumann, op
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Aribert Reimann and Robert Schumann
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Aribert Reimann
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Six Songs
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Schott Music - Digital
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SheetMusicPlus
Op. 48, No. 10: La Belle matineuse from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-50E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-50E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-50E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 48, No. 10: La Belle matineuse from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Six Songs for Voice and Guitar
Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.1431860 Compose…
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Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.1431860 Composed by Justus Johann Friedrich Dotzauer. Arranged by Bernd Krause and Michele Galvagno. 19th Century,Classical,Instructional,Romantic Period. 32 pages. Artistic Score Engraving di Galvagno Michele #1012335. Published by Artistic Score Engraving di Galvagno Michele (A0.1431860). DOTZAUER PROJECT - EP. 10 - Welcome, dear sister-in-law! J. J. F. Dotzauer - Six Songs for Voice and Guitar, Op. 18 Dotzauer dedicated three works to the guitar, an instrument particularly in vogue at the beginning of the XIX century. The first one was this collection of Six Songs (Sechs Lieder) for the Voice with Guitar accompaniment, which he dedicated to his eldest brother’s wife. The guitar part is not particularly challenging, making it ideal even for non-professional playing.The texts come from several prominent poets of the time, namely Friedrich von Schiller, Karl Friedrich Müchler, Johann Stephen Schütze, and Christian Schreiber.This edition is the first modern publication of these pieces, and exceptionally offers a separate guitar part. The outstanding contribution of Dr. Bernd Krause of the Büro für Geschichtswissenschaften made this edition possible. Rich editorial notes and a comprehensive section analysing the texts complete this unique publication.MAILING LIST (free excerpt + discounts) Full catalogue#voice #guitar #duet #classicalmusic #romanticmusic #sheetmusic #song #lieder #songs #musicnotation #engraving #dorico #dotzauer #poet #poem #schiller.
$16.00
14.72 €
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Justus Johann Friedrich Dotzauer
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Six Songs for Voice and Guitar
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.76 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Mendelssohn - On Wings of Song in A-flat major - Intermediate
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1181588 Composed by Felix Me…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1181588 Composed by Felix Mendelssohn, Lyrics by Heinrich Heine (translation by Hal Drapper). Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards,Wedding. Score. 10 pages. Piacere Music Sheets #781379. Published by Piacere Music Sheets (A0.1181588). Opus/Catalog Number: Op. 34, No. 2Key/Tone: A-flat majorMovements/Sections: Andante tranquilloYear/Date of Composition: 1834Vocal Range: Eb4 to F5 (C4 = middle C)Difficulty: Grade 8/12 (Intermediate)Obs.: This beautiful piece is the second of six songs for voice and piano in Mendelssohn's 6 Gesänge, Op. 34. This song is a setting of the poem Auf Flügeln des Gesanges by the German Romantic poet Heinrich Heine (1797-1856) and translate py Hal Drapper. This poem was first published in his Buch der Lieder in 1827.This score is an arrangement for high voice and piano, and contains the translated English Lyrics. A version with the original German Lyrics can also be bought.Included: Full score and individual parts.
$4.95
4.56 €
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Piano, Voix
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Felix Mendelssohn, Lyrics by Heinrich Heine
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Piacere Music Sheets
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Mendelssohn - On Wings of Song in A-flat major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Mendelssohn - Auf Flügeln des Gesanges in A-flat major - Intermediate
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1181582 Composed by Felix Me…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1181582 Composed by Felix Mendelssohn, Lyrics by Heinrich Heine. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards,Wedding. Score. 10 pages. Piacere Music Sheets #781373. Published by Piacere Music Sheets (A0.1181582). Opus/Catalog Number: Op. 34, No. 2Key/Tone: A-flat majorMovements/Sections: Andante tranquilloYear/Date of Composition: 1834Vocal Range: Eb4 to F5 (C4 = middle C)Difficulty: Grade 8/12 (Intermediate)Obs.: This beautiful piece is the second of six songs for voice and piano in Mendelssohn's 6 Gesänge, Op. 34. This song is a setting of the poem Auf Flügeln des Gesanges by the German Romantic poet Heinrich Heine (1797-1856).This poem was first published in his Buch der Lieder in 1827.This score is an arrangement for high voice and piano, and contains the original German Lyrics. A version with English Lyrics can be bought as well.Included: Full score and individual parts.
$4.95
4.56 €
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Piano, Voix
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Felix Mendelssohn, Lyrics by Heinrich Heine
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Piacere Music Sheets
#
Mendelssohn - Auf Flügeln des Gesanges in A-flat major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
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